W.A. Mozart - Requiem (KV 626) - Dies irae

W.A. Mozart - Requiem - Dies irae
Conductor by Leonard Bernstein with Chor des Bayerischen Rundfunks

Source channel: http://www.youtube.com/balletic

Comments

Post a Comment

Popular posts from this blog

The Mormon Tabernacle Choir - Bound For The Promised Land

The Mormon Tabernacle Choir sings Mack Wilberg's arrangment of the traditional folk hymn "Bound for the Promised Land." Source Channel: http://www.youtube.com/beachboyscom On Jordan's stormy banks I stand And cast a wishful eye To Canaan's fair and happy land, Where my possesions lie. Chorus I am bound for the promised land, I am bound for the promised land O who will come and go with me I am bound for the promised land. O the transporting rapt'rous scene That rises to my sight; Sweet fields arrayed in living green And rivers of Delight. Chorus I am bound for the promised land, I am bound for the promised land O who will come and go with me I am bound for the promised land. There generous fruits that never fail On trees immortal grow; There rocks and hills and brooks and vales With milk and honey flow. Chorus I am bound for the promised land, I am bound for the promised land O who will come and go with me I am bound for the promised land.
Read more

Anuna - Home And The Heartland

From the Anuna web site: Michael McGlynn founded An Uaithne in 1987. "My original idea was to create something that would make people aware of the beauty of choral music by introducing it to them in a way that they could understand. I started singing in choirs at the age of 19, and I couldn't believe that something so beautiful existed that I had never heard of before. I think that I got the sound of Anúna into my head right back on the first day I started singing with other voices for the first time. I had just begun composing at that time and I found that An Uaithne offered me a chance to have my own original music performed. I knew then that this was something I wanted to do for the rest of my life." The development of An Uaithne into Anúna was slow but sure. By 1991 the choir had gone from singing standard choral music, with an emphasis on contemporary and ancient music, to performing Michael's arrangements of medieval and traditional Irish works combined with his
Read more